@prefix this: . @prefix sub: . @prefix schema: . @prefix np: . @prefix dct: . @prefix pav: . @prefix nt: . @prefix npx: . @prefix xsd: . @prefix rdfs: . @prefix prov: . @prefix wd: . @prefix foaf: . sub:Head { this: a np:Nanopublication; np:hasAssertion sub:assertion; np:hasProvenance sub:provenance; np:hasPublicationInfo sub:pubinfo . } sub:assertion { sub:molto-legato-harnessing-500-years-of-music-metadata a wd:Q604733; dct:description "

Mapping a database of classical music for use in the music/media industry involves a thorough knowledge of the subject and its many, unique pitfalls. The anatomy of a standard classical music track title, highlighting how it differs from a standard pop music track title and how it contains multiple levels of complex metadata.

Based on years of experience at Universal Music Group, [Integral], Apple Music Classical and the BBC, three case studies from Neura, an innovative knowledge structure based on work authorship, arrangements/versions, intellectual ownership, and completions/additions. Plus, a first-time glimpse of ‘Passports’, the new in-house tool used to tag and map all BBC music assets.

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